Is this piece really in a fast four? What about triplets vs being notated in 12/8 time? Our computers can (and will) play anything, but when we’re asking humans to play the music, sometimes we need to stop for a moment and make sure that we’re going to write it in a way that makes the most sense on the page.Īnother problem I run into sometimes is when composers forget to pay attention to the ensemble they’re writing for. Try to take a moment and consider how it will look as music notation. What advice would you give young composers interested in producing notation for live performance?įirst off, if you’re only working with samples, it’s easy to forget what the music might look like on the page. You receive source files from many different composers and arrangers, which gives you a great perspective of what does and doesn’t work well. It helps us in the long run when we’re prepping our parts. Another thing I like to do is have all of my linked parts already generated and formatted on the page. When I’m building a template, I am sure to design my expression library to include markings I use regularly, same for the articulation and smart shape libraries. I typically build a new template every 2-3 years, and honestly, there’s a part of me that enjoys it. That helps a lot on the scores I work with – we often use large time signatures.Ĭan you tell us how often you build a new Finale template and what you make sure to include in your template to ensure success? What Finale 25 feature or bug fix were you most excited to discover?īeing able to differentiate between showing time signatures on score vs parts.
FINALE PRINTMUSIC SPEEDY TIE PRO
I’ve got a small MIDI keyboard for Speedy Note entry, and a full-size keyboard on my writing desk for when I really have to bang out some ideas! The monitor to the right is connected to a second computer that runs Pro Tools – my DAW of choice when working with files from composers. Oh, and my two iPads I use for touchscreens, can’t forget those! Also, I would be completely useless these days without my shortcut program, Keyboard Maestro. Often times, I work with two (or even three) Finale files relating to one score, so having plenty of screen space surely helps. You’ll see in the photo above that I use multiple monitors. Speaking of making good use of shortcuts, could you describe your Finale workspace/studio configuration? Because when we’re more efficient in Finale, we have more time available to be creative, and isn’t that what we all want?
Discover a plugin that might save you 5-10 seconds. Oh to get those years back! So, each day, take a moment to try something new.
FINALE PRINTMUSIC SPEEDY TIE HOW TO
When I first learned Finale, no one ever showed me how to be fast in Finale, and I’m convinced that I spent years in Finale being slow. I think my biggest tip would be to learn all the little tips. My response? “I have no idea what you’re talking about! But oh my gosh, this is awesome!” So, we kind of stumbled into that Finale improvement, and he’s always thought it was cool that he was the one who showed me a tip in Finale that day.Ĭan you share another Finale tip with us? Several years back, my young assistant, Rob Adams (who’s now my full-time part prep guy), asked me “Hey, how come this happens when I hold down the option key?” He was referring to copying expressions up and down staves by merely holding down the option key and pressing the up and down arrows. But until college, I pretty much had always written everything by hand. Before that, I had tinkered around in Encore (I think) and some sequencing program on our family’s Apple computer at home. My first introduction to Finale was as a freshman at the University of North Texas, studying music composition. What was your first introduction to Finale? He also reveals some productivity secrets involving the use of the shortcut program Keyboard Maestro and a few iPads (as seen above). This time, David shares a few Finale tips. In the first half of our conversation with Nashville-based orchestrator, conductor, and arranger David Shipps, we didn’t talk much about Finale.
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